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MY PRIVATE NATION

My Private Nation


Following a hit is a tough thing for any band, and for Train, a cult band that literally came out of nowhere to land a monster single like "Drops of Jupiter" and a platinum album to boot, the pressure to deliver something "more" from label execs is intense. In addition, usually when a band decides to scrap its plans for one album and go back to the drawing board and do something else, it doesn't bode well for the finished product. Train has turned the tables on the redo jinx. Creatively, My Private Nation, Train's third album, is the moment this band has worked for since it started making records. Bringing Brendan O'Brien back on board as producer (perhaps the best rock producer out there right now) and as a co-writer on three songs, Train has upped the aesthetic ante by stripping away any notion that it has to prove that it is "sincere" as a band. The songs speak for themselves. The opening track, "Calling All Angels," which also serves as the first single, is the one song the Counting Crows wish they could still write. It's a huge rock song that signifies what the rest of the album elaborates on. Guitars, drums, backwards tracking of keyboards, and a huge chorus make it an anthem. But it's not so much how hooky and beautiful the tune is -- and is it ever -- as what it says: That in a time of great confusion, loss, and disorientation, one does not call for redemption, but asks for a sign of inspiration, for the courage to not surrender to despair. It's a tome about hope against the odds, acknowledging vulnerability, and accepting responsibility to remain focused and critical enough to win one's own redemption in everyday life, in order to become a better human being. Other tracks -- "All American Girl," "Save the Day," and the title track -- may not feel as benevolent, especially the ones where O'Brien collaborates. These take on pop culture, social malaise, the pretension of honesty, and the selling of everything, and skewer them with acidic wit, huge monstrous guitars, and sonic architectures that defy description other than they make great rock & roll. Pat Monahan and Train don't pretend to speak for anyone; they speak about themselves in relating to the externals and internals of existence in the new century. These things include relating to each other, to their culture and generation, and to the world at large. In order to accomplish this without merely sounding the obvious, a certain degree of intimacy has to be given up in the mix, and "When I Look to the Sky," "Get to Me," "Following Rita," and the closing "I'm About to Come Alive" (one of the more honest love songs written outside of soul and country music in a decade) do just that. Under O'Brien's gorgeous multi-layered production with guitars coming from everywhere (remember how big he made Springsteen's sound on The Rising?) and strings floating and darting through the mix, chromatic shadings and the textures of contemporary psychedelia are rooted in the heart of an ambitious garage band. In other words, O'Brien doesn't make the band sound big, he gets the sound of how big Train actually is in a context that is as aurally beautiful musically as it is emotionally and lyrically poignant. My Private Nation is not an album about angst, but about transcending it and the paralyzing cynicism that goes with it. The question is, when was the last time listeners got a rock & roll album that could do that without cowering in fear of having its optimism shattered? Not in a long time. But that's because My Private Nation isn't about optimism; it's about the flickering glimmer in the darkness, in the heart, in the culture, in the world, and how it should -- and can -- be seized, right now. ~ Thom Jurek, Rovi

  • Condition: Used - Good
    HPB condition ratings
    • New: Mint condition or still sealed (SS). Absolutely perfect in every way. New.
    • Fine/Like New (EX): No defects, little sign of use, well cared for. Plays perfectly. Close to new. Not necessarily sealed or unused, but close. Could be an unopened promotional or cut item. Sometimes called: mint-minus.
    • Very Good (VG): Will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
    • Good (G): Attractive and well cared for, but no longer fresh. Minor signs of wear, scuffing or scratching, but will play almost perfectly. For vinyl: barely detectable crackles or pops.
    • Fair (FR): This item is in okay condition. For vinyl: good is not so good and the record may have low level crackles or pops when playing. CD: one or more tracks may skip.
    • Poor (P): Obviously well-worn and handled. Most vinyl collectors will not buy good or below, but some tracks on CD or vinyl will play.
    Conditions Guide
  • Format: Compact Disc
  • Sold by: HPB Mason
  • Seller rating:
  • Label: Sony Music Distribution (USA)
  • UPC: 696998659322
HPB pick - In stock


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Track listings

  • 1. Calling All Angels
  • 2. All American Girl
  • 3. When I Look To The Sky
  • 4. Save The Day
  • 5. My Private Nation
  • 6. Get To Me
  • 7. Counting Airplanes
  • 8. Following Rita
  • 9. Your Every Color
  • 10. Lincoln Avenue
  • 11. I'm About To Come Alive
 
HPB condition ratings
  • New: Item is brand new, unused and unmarked, in flawless condition.
  • Fine/Like New (F): No defects, little usage. May show remainder marks. Older books may show minor flaws.
  • Very Good (VG): Shows some signs of wear and is no longer fresh. Attractive. Used textbooks do not come with supplemental materials.
  • Good (G): Average used book with all pages present. Possible loose bindings, highlighting, cocked spine or torn dust jackets. Used textbooks do not come with supplemental materials.
  • Fair (FR): Obviously well-worn, but no text pages missing. May be without endpapers or title page. Markings do not interfere with readability. Used textbooks do not come with supplemental materials.
  • Poor (P): All text is legible but may be soiled and have binding defects. Reading copies and binding copies fall into this category. Used textbooks do not come with supplemental materials.
Conditions Guide
HPB condition ratings
  • New: Mint condition or still sealed (SS). Absolutely perfect in every way. New.
  • Fine/Like New (EX): No defects, little sign of use, well cared for. Plays perfectly. Close to new. Not necessarily sealed or unused, but close. Could be an unopened promotional or cut item. Sometimes called: mint-minus.
  • Very Good (VG): Will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
  • Good (G): Attractive and well cared for, but no longer fresh. Minor signs of wear, scuffing or scratching, but will play almost perfectly. For vinyl: barely detectable crackles or pops.
  • Fair (FR): This item is in okay condition. For vinyl: good is not so good and the record may have low level crackles or pops when playing. CD: one or more tracks may skip.
  • Poor (P): Obviously well-worn and handled. Most vinyl collectors will not buy good or below, but some tracks on CD or vinyl will play.
Conditions Guide
HPB condition ratings
  • New: This movie is unopened and brand new.
  • Fine/Like New (EX): Near new. No defects, little sign of use. Plays perfectly. Not necessarily sealed or unused, but close. No skipping; no fuzzy or snowy frames in VHS.
  • Very Good (VG): Attractive and well cared for but no longer fresh. Minor signs of wear, but will play almost perfectly. For VHS: barely detectable distortion or very few fuzzy or snowy frames.
  • Good (G): This item is in okay condition and basically works well. There may be some minor distortion on VHS tape; slight scratching or wear on DVD.
  • Fair (FR): Basically plays, but may be obviously well-worn with some scratching or tape distortion.
  • Poor (P): Disc or tape is intact, but may be scratched or stretched. There may be skips or distortion or product defects.
Conditions Guide
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